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member reviews |
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Scorpion Moon by Sora |
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- posted by John Iverson - CKUW 95.9 FM on 3/16/2013 |
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Sora Creates Another Gem! |
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Creating a new album following the success of her critically acclaimed recording Heartwood was no easy task for Calgary singer and songwriter Sora, but she has managed to conjure up another gem with the release of her latest album Scorpion Moon.
Under the guidance of producer Douglas Romanow, who Sora also worked with on Heartwood, she has continued where Heartwood left off, putting together another collection of songs about myths and legends, children's stories, archetypes and other fascinating subjects. To accomplish this, Sora utilized a diverse assortment of instruments, including some unique ones like the erhu and the charango. I particularly liked the influence of the cello and the harp on the sound, as it makes the music more mystical and magical. But the instruments never overpower Sora's radiant voice, which varies from strong and powerful to light and airy depending on the mood of the song. I am sensing too that Sora's sound is becoming more and more all her own, and less like her core musical influences. Her goal is for her songs to be stories of what it means to be human, and this certainly comes across as you listen to Scorpion Moon.
Of particular note on this recording is the ethereal opening track "Scheherazade", which is subtitled Scorpion Moon. Other notable tracks on the album include "Mermaid Song", "Hold", and "Moving On". However all of the songs on this disc are enjoyable and tie nicely together, showcasing not only the talent of the singer, but of the guest musicians as well. It's difficult to categorize this style of music, as the lines between new age, Celtic, folk, and even classical are blurred, but this blending of styles only serves to make the album appealing to a more diverse group of listeners. You will be left wanting more. Bravo Sora! |
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Crown in the Sky by Lis Addison |
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- posted by Michael Diamond on 3/6/2013 |
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Crown In The Sky |
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As impressed as I was with the two previous albums by Lis Addison, Crown In The Sky is a fantastic release that reveals a new level of creative achievement. The music truly expresses the energies of earth and sky with its rootsy rhythms and ethereal ambiences, as well as its messages of appreciation (and concern) for our home planet. A percentage of CD sales go to global tree planting projects and organizations that empower women and girls. The album begins, appropriately with a song called “Voice Of The Tree,” which sets the tone for the album with its elements of ambient, new age, jazz, and world music. Her voice on this track has an airy, whispery quality that reminded me a bit of particular songs by Sade, or perhaps Norah Jones, and has a lovely, alluring vocal tone that perfectly fits the vibe of the music and draws you into the song’s misty magic. In addition to her beautiful vocals, on every track, Lis’ extensive experience in music and recording is evident in the fact that she wrote all the songs and lyrics, did all the arrangements, produced the album, and played just about all the instruments. Additional instrumentation included her husband Dean Foster on bass and beats. Also included on select tracks is keyboardist Kit Walker and Christopher Krotky who added additional beats and collaborated with Lis on mixing and mastering.
The title track opens with a lush orchestral intro that evolves into diverse movements throughout the piece. According to Lis: The phrase “Crown In The Sky” describes our human experience in which we are open and receptive to the spiritual realm yet anchored on the earth in the physical realm.” An intriguing artistic alchemy is created on a tune called “Carry Me,” that blends Middle Eastern influences with a funky groove morphing into more of a pop jazz feel on the choruses. On a track called “How Deep,” the sound of Indonesian Gamelan sets the tone as a contemporary urban chill rhythm and fretless bass create the pulse. The album draws to a fitting conclusion with a final tribute to the Earth, entitled “Mother Gaia.” The unique blend of elements that Lis has brought together on this album should appeal to a wide cross section of listeners. This music marks a return to her roots as a songwriter, with contemporary influences of jazz, chill, and world music. I was moved both physically and spiritually by its propulsive energy, evocative melodies, and inspired lyrics. Crown In The Sky is an uplifting and thoroughly delightful listening experience.
(To read a full-length feature article on this album, please visit www.michaeldiamondmusic.com)
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Rating: Excellent |
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Lovéren by David Arkenstone |
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- posted by Michael Diamond on 3/6/2013 |
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Lovéren |
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“Lovéren” brings together well-known recording artist David Arkenstone and operatically gifted vocalist Charlee Brooks on one of the most elaborate CD productions I have seen in a long time. The original story of “Lovéren” is an imaginative odyssey of love, romance and passion set in the magical world of mermaids. Accompanying the CD is a lavish 16-page booklet that contains the story along with stunning visionary artwork. In addition to Charlee’s contributions as a vocalist and collaborator on many aspects of the production, she also created an original mermaid language called Mermish, to give the music an even more exotic ambience. While Charlee contributes both vocal and instrumental talents, David creates on keyboards, guitars, drums and percussion, bass, mandolin, vocals, and a number of world music instruments. The album also features additional players on percussion and Uilleann pipes, as well as symphonic touches from a thirteen-member string section. As if this were not enough, the lofty vocals of The Nashville Soul Choir add their distinctive sound to the production.
Opening appropriately with a track called “Origins,” the neo-classical influence is felt as the delicate female vocals ride the waves of swelling strings. Fans of Enya will immediately be captivated by this dramatic intro. On “The Forbidden Sea,” washes of dreamy synthesizer and harp evoke aquatic ambience and set the scene for the next chapter. As the music unfolds, powerful rhythmic undercurrents blend with airy otherworldly vocals - a theme that is found throughout the album. For me it all comes together on ”Love Always Waits,” the grand finale, where various elements from the album converge as it flows through its diverse passages.
I’ve always appreciated David Arkenstone’s flair for imaginative writing and arranging and this piece shows the level of accomplishment he has attained in his accolade-laden 25-year career. As he describes it: “Creating “Lovéren” was a magical experience inspired by my desire to create a symphonic, cinematic album with more singing than usual, and the desire to work with Charlee Brooks, who’s a wonderful vocalist and writer. The originality of the project turned out to be vitally important.” While comparisons to the music of Blackmore’s Night, Yanni, or 2002 might serve as somewhat of a reference point, I have to echo David’s statement about the originality of this work – it is truly unique and a product of his and Charlee’s combined artistic vision. There can be no doubt that “Lovéren” is a transcendent example of musical mastery that will inspire the imaginations of listeners for years to come.
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Rating: Excellent |
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