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Melodic Voyage by Mark Dunn
- posted by Liliian on 5/16/2018
Voyages Around The World Inspired New Mark Dunn CD

The music is exquisite on the new album, MELODIC VOYAGE, by American pianist Mark Dunn. This is his first solo piano album following a jazz album, a world-fusion CD and Brazilian band recording. Musically and physically Dunn is not one to stay in the same place for long. His music is inspired by traveling. He has been around the world three times and has lived in Costa Rica, Brazil and the United Arab Emirates (Dubai), always playing music along the way. As you will hear, Dunn writes extremely melodic instrumental tunes and performs them with a flair. Two tunes were inspired by time spent in Honduras, another is named after a Brazilian dancehall, one tune is based on an old Mandarin melody, and another piece is a tribute to Dunn’s father and Irish heritage. This a trip worth taking.
Rating: Excellent
Melodic Voyage by Mark Dunn
- posted by Steve Sheppard on 5/15/2018
Travel with the artist through his music
Mark Dunn is a world traveller; he makes my sojourns into other parts of this planet miniscule by comparison, but it is this worldliness that makes this album standout from the overcrowded ranks of the solo piano genre.
So let’s take a veritable journey through sight and sound right now with the artist, we start with the capital of Honduras and called Tegucigalpa. This composition has just the perfect sense of rhythm and energy to get us firmly on our way, the music flows with a liveliness that is performed with such style and colour.
The Truth is up next and I can see why Dunn has been referenced fpr creating great melodies, here is a perfect example of an arrangement that has a sweet melody that will never leave your mind. The warmth with which Dunn plays the piano is really beautiful to listen to.
On Dunn’s Dream, one can detect a certain sense of pride and determination written in between the weave of the composition. This is quite an intricate offering and holds the essences of a Celtic background, with a reflective posture at all times.
Return To Peace is now before us, one can feel a powerful sense of loss and sadness here, but also the energy required to pull oneself from the malaise of despondency. This was one of my favourites from the album, the imploring nature of this piece and the energy to carry on, fitted my world perfectly at this moment, you just have to kick the dirt off you shoes and carry on.
We approach the half way juncture of the release and come across an arrangement that constantly grows and develops called Children’s Waltz. This is a sun kissed opus and flows with the light and freshness of a new energy so beautifully. This is also the longest composition off the album at just short of seven minutes, the narrative is fascinating here, one can literally feel and see the piece grow and expand, almost like the child in question is gaining in confidence with each second that passes.
As we balance on the fulcrum of the album, just before we descend into the latter half of the project, we come across a light hearted piece called Fool’s Dance, at barely over two minutes long Dunn creates something almost cheeky in construction, this is one of those tracks that will bring a grin to your face, for no apparent reason, other than it can.
Freedom’s Debt is a reflective opus of deep thought, we may ponder on what exactly is freedom, we may think on about what we have and others do not, we might even be grateful for those who have given their lives so we may live ours with such freedom; this is the energy of this arrangement for me, a powerful reminder, a musical moment of contemplation.
However, when you arrive at track eight, you will find the composition that holds my heart, it is one of the best slices of solo piano I have heard for years and is called Sitting. This is so powerfully emotional, but played in such a meditative and artistic style; the major and minor nature of this offering creates a piece for me that is true genius, and one that I could personally listen to on repeat for days.
There is a sunny refrain on Gafieira, one that has a soft melodic rhythm and a warming jazzy motif as well. This is another one of those tracks that will make you smile, the sort of tune you can enjoy from the table of a coffee shop whilst people watching on a warm summers afternoon.
As we now move forever deeper into the release, that sense of Celtic energy drifts across the moorlands of this next piece called The Moon Represents My Heart. This is a very heart warming and lyrical opus that will fill one with a sense of abundant love, through the adoring tones of Dunn’s piano.
Our penultimate offering is called Don’t Cry Paola, this reassuring composition will bring comfort to ease those worries and tears away. Dunn performs this piece with such a level of sincerity and sensitivity, which you cannot help but be impressed by.
We find ourselves now at the final doorway of the composition, and this parting gift is entitled It’s You. The funny thing is when I read the title, I amused myself with the thought of two people who have not met for many years, bumping into each other in the street and saying, It’s You! However I guess it is a phrase that could be used in a few ways, but this calming last offering is a nice gentle testament, to time that passes and the world that spins and who knows, we may all meet again one day, somewhere, some time.
I found Melodic Voyage by Mark Dunn a really enjoyable collection of compositions to bathe in; Dunn’s performance style is almost unique too and thoroughly agreeable to listen to. Melodic Voyage is well named, one feels like we have indeed travelled with the artist, whether it be in location or within the heart and mind. Mark Dunn is an artist in more than one sense of the word and has created an album that is so very listenable; I firmly believe that this release will appeal to all who have excellent taste in music, and not solely lovers of the solo piano genre.
Rating: Excellent
Solitaire by Neil Patton
- posted by Steve Sheppard on 5/7/2018
Carefully crafted with a deep sincerity
I have fond memories of the work of Neil Patton; back in 2015 he released the very classy Between Shadow and Light, so it was great to see another album of his land on my desk some three years later. This work is called Solitaire and from the sounds that usher forth from my player, it looks like Patton is back with another winner.
The opening piece The Turning Page, I found quite poignant; I have been on a life long journey of discovery myself and listening to this extremely melodic arrangement was like listening to the sound track of those life moments and events.
Redemption is up next, a soulful composition of great quality and honesty, this sense of reality in music is like the ever resounding tone of hope reverberating across the universe, perhaps an anthem for us to never give up.
I found Walking On Air a fascinating opus, I like my peaceful moments of reverie, but I can also find moments of blissful energy when I am at one with nature and by myself, this exciting and exhilarating composition does it for me, the interesting thing about this offering, was that I found a fascinating combination of musical memories lying in here as well, with hints of Keith Emerson and Elton John speaking to me at times.
The Shepherd is one of the most tender performances your likely to hear, there is a certain ambience created by this track that is so calming, one can with ease watch The Shepherd tending his flock, in which ever way you wish to think of it. This has to be one of the most delicate performances I have heard for some time.
Up next is a charming piece entitled Lacrymosa, there is a certain classical element to this track that is rather appealing, one that flows with an abundance of confidence throughout the overall composition.
The Muse is a journey through time and tide, the performance is played with a true level of confidence and brightness about its construction. Sometimes the journey is hard, sometimes easier, but there are always twists and turns along the way which need to be navigated, ones that are so wonderfully highlighted musically here.
At the midway point we come across Where I Can’t Follow. This starts in a flow of utter ambience, then with care and attention Patton increases the energy, the piece manifests itself into a glorious anthem of emotion and power, and then pulls back like a summer tide, into its soft and humble beginnings.
As we traverse into the latter half of the release, we touch base with a beautiful arrangement called The Calling. Patton’s performance here is creative and also very fluent; there is a certain reverence about the energy of this offering that gives it a touch of musical truth, that feeling that one has found after a long struggle alone on their chosen path.
I adored the piece Twilight, the narrative of creating a composition of this time of day fascinated me and Patton has done a superb job at manifesting something so redolent of this moment of time. This manifestation of brilliance draws an attractive vista across a night time horizon and fills it with a truly empowering musical performance, this is without doubt one of my favourite tracks off the release.
Strength is one of those compositions that draws upon the emotions of the mind, it creates from a well of sadness, a musical ladder from which to climb out of the malaise. Listen to this one; it evolves into a passionate piece, one that contains such a beautiful build and progression, this really has such a compelling narrative, which makes this my personal favourite from the collection, this is solo piano at its very best.
The title track is up next and Solitaire brims with the expectancy of a new day, from the warm roots of someone who is quite comfortable within their own company and energy. This arrangement does indeed have a wonderfully light feel to it, but in my view it also carries with it a sense of personal self-assuredness about its composition, a wonderful musical statement of sorts, performed with a sparkling intensity.
Completely opposite to the preceding track, Adrift has a singular sense of aloneness about it, being one who has bouts of wishing to be adrift from the worlds chatter and mundane trivia, I can relate to this composition, it is as if Patton is creating these musical dimensions, perhaps to manifest a peaceful sanctuary of the mind, a place that he is adrift in the realms of his own energy.
Bound has a delightful sense of musical retrospectivity about its construction, this is simply a pleasure to listen to, Patton’s performance here is played with such a level of emotion you can feel it pour from the speakers, the melody is so lush and imploring, and yes, another favourite of mine.
The penultimate offering is the very sweet and rustic, Back Porch, this is a simple little song, one of fond memories and times spent with people on days that will be remembered, but perhaps never repeated.
The last track off this fifteen piece release is called Gethsemane; the location is an urban garden at the foot of the Mount of Olives in Jerusalem, the piece here portrays the area where Jesus prayed before his crucifixion. The intensity of this offering is amazing and will musically speak to you regardless of any religious beliefs; you may or may not have. The performance here is staggering in its sense of passion and sadness, and at well over eight minutes long is easily the longest track I have ever heard Patton perform, but each second is most certainly worth it.
Solitaire is an album of oneness, being comfortable in your own company, but are we ever truly alone? Each of the tracks on this release have been carefully crafted, they flow with intensity and an openness of a deeply felt sincerity. Solitaire is an album that fans of the solo piano genre will adore, and enjoy for decades whether by yourself or with friends.
Rating: Excellent
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